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Women's artistic gymnastics (WAG) is a form of women's gymnastics that demands strength, flexibility, courage, and artistry from an athlete.

HistoryEdit

Women's Artistic Gymnastics entered the Olympics in 1928 as a team event. The current format, with team, individual, and event finals was introduced into the World Championships in 1950.

EventsEdit

VaultEdit

Vault is the first event in Olympic order. To vault, the gymnast runs down a runway, jumps a springboard, flies to a handstand on the vaulting table, pushes off, and performs a flip onto the mat, often with twists. The gymnast must have good body form and a solid landing to gain points. Currently, each gymnast in the team and individual finals performs one vault. In the vault event finals, each gymnast performs two vaults, one leaving the vaulting table backwards and one forwards.

Uneven BarsEdit

On the uneven bars, a gymnast must be constantly in motion. The low bar is 1.61 meters off the ground and the high bar is 2.41 meters off the ground. An uneven bars routine consists of a mount from the mat or a springboard, several circles forward and backward around the bar, turns in handstand position, flight between the bars, release moves on the high bar, and a dismount to the mat. Gymnasts are judged on the diversity of movement, lack of pauses in movement, their ability to catch the bar after release moves, precision of their handstands and turns, good body form, and a solid landing.

Balance BeamEdit

Balance beam is often considered the most difficult event and the event unique to women's gymnastics, as men also perform on bars and vault and many gymnastics disciplines involve floor routines. The balance beam is 10 centimeters wide, approximately the width of a hand, five meters long, and 1.25 meters off the floor. A routine consists of a mount, various tumbling skills, dance moves, leaps and jumps, and at least one full turn and a dismount. Gymnasts are judged on balance, body form, and a good landing from the dismount.

Floor ExerciseEdit

Floor is the final and longest event in women's artistic gymnastics. A floor routine is usually a minute to ninety seconds long, and it must be set to music. Gymnasts perform various dance moves, including leaps and jumps, handstands, and turns. Floor routines also include three or four tumbling passes in which they run diagonally across the floor and perform at least three tumbling skills. Floor routines are judged on good form in jumps and turns, the relationship between the moves and the music, and solid tumbling skills.

The Code of PointsEdit

A Code of Points is a rulebook that defines the scoring system for each level of competition in gymnastics. There is no unified, international code of points; every oversight organization—such as FIG (Federation Internationale de Gymnastique), NCAA Gymnastics, and most national gymnastics federations—designs and employs its own unique Code of Points.

The current Code Edit

In 2006, the Code of Points and the entire gymnastics scoring system were completely overhauled. The change stemmed from the judging controversy at 2004 Olympics in Athens, which brought the reliability and objectivity of the scoring system into question, and arguments that execution had been sacrificed for difficulty in artistic gymnastics. It follows a similarly radical scoring change in figure skating that also was prompted by irregularities in judging at major events.[1]

Since its inception in major events in 2006, the Code has faced strong opposition from many prominent coaches, athletes and judges. Proponents of the new system believe it is a necessary step for the advancement of gymnastics, promoting difficult skills and more objective judging. Opponents feel that people outside the gymnastics community will not understand the scoring and will lose interest in gymnastics, and that without the emphasis on artistry, the essence of the sport will change. Many opponents of the new scoring system feel that this new scoring system, in essence, chooses the winners before the competition ever begins. Competitors no longer compete on the same level. Each contestant begins with a unique start value; therefore, contestants assigned a lower start value or difficulty rating are knocked out of the winner's circle before the competition begins. They may compete, but they cannot win. A competitor with a higher difficulty rating will begin the competition with a much higher score. There has been dissent over the fact that the new Code effectively abolishes the "perfect 10" score, for many years one of the hallmarks of gymnastics. There has also been concern that the new Code strongly favors extreme difficulty over form, execution and consistency. At the 2006 World Championships, for instance, Vanessa Ferrari of Italy was able to controversially win the women's all-around title in spite of a fall on the balance beam, in part by picking up extra points from performing high-difficulty skills on the floor exercise.[2][3][4] The 2006 Report of the FIG's Athletes' Commission, drafted after a review and discussion of the year's events, noted several areas of concern, including numerous inconsistencies in judging and evaluation of skills and routines. [5]

However, the leadership of the FIG remains committed to the new Code. While small revisions have been made to the Code, there is currently no indication that it will be significantly altered or that there will be a return to the old Code or 10.0 scoring system.

Table of elementsEdit

The Table of Elements is the section of the Code of Points which is used to identify, classify and assign value to gymnastics elements. Every acrobatic and dance skill is listed, illustrated and assigned a specific difficulty rating. Currently, difficulty ratings for both the women's code range from A (easiest) to G (most difficult). The Table of Elements is the one aspect of the Code that did not undergo major changes in the 2006 Code overhaul.

As other aspects of the Code, the Table of Elements is frequently re-evaluated. Skills listed in the Table may have their difficult ratings raised or lowered after evaluation by the FIG Technical Committee. In addition, skills that are determined to be too dangerous to the athletes may be banned outright. The Technical Committee may also give specific hazardous skills artificially low difficulty ratings to deter gymnasts from trying to complete them.

Many of the skills in the Table of Elements are named after gymnasts. An original element is named after an athlete when he or she is the first person to successfully perform it at a World Championships or Olympics. Gymnasts and their coaches must submit their original skill to the FIG before the meet for evaluation and possible inclusion in the Table of Elements.

Judging and score tabulationEdit

Two panels of judges score every routine, evaluating different aspects of the performance. The final mark is the combined total of these two scores.

The D-score (or Difficulty score) evaluates the content of the exercise on three criteria: the Difficulty Value (DV), Composition Requirements (CR) and Connection Value (CV).

  • DV: The difficulty value of the eight highest value elements of the routine, including the dismount, are added together. Elements are ranked depending on their difficulty, for example a back layout salto is given a difficulty of A, then a back layout salto with a full twist is given a difficulty of B. For a G skill a gymnast earns 0.7; for an A, he or she earns 0.1 points.
  • CR: Gymnasts must demonstrate skills from five required Element Groups on each apparatus. A gymnast may use skills to fulfill the DV and the CR simultaneously. For each CR presented, 0.5 points are awarded. A maximum score of 2.50 points may be earned here.
  • CV: Additional points are given for connections of two or more elements of specific value, with 0.1 or 0.2 points apiece.

Although the A judging panel does not take deductions, they may decide not to give gymnasts DV or CR points for elements that are performed with falls. A gymnast may also lose CV credit if there are extra steps or pauses between skills that are meant to be connected.

The D-score is open-ended; in theory a gymnast could obtain unlimited points by performing connected skills although this was made harder in the 2009-2012 revision of the code when the number of elements that counted towards the D-score was lowered.

The E-score (or Execution score) evaluates the performance: the execution and artistry of the routine.

  • The base score is 10.0. Judges do not add to this, but rather, take away points for errors in form, artistry, execution, technique and routine composition. There is a 0.8 mark deduction for falling off an apparatus. Errors that are made are judged to be small, medium or large and respective 0.1, 0.3 and 0.5 deductions are taken.

The D-score and E-score are added together for the gymnast's final mark.

This judging system applies to all WAG and MAG events except vault. Vault scoring is somewhat different:

  • Every vault has been assigned a specific points value in the Code. The D-score is simply this value. Every gymnast performing the same vault will receive the same number of points.
  • The E-score is the most important score on this apparatus. The judges on this panel work from the 10.0 base mark and deduct for form, technique, execution and landing.

As with other apparatus the D-score and E-score are added together for the gymnasts's final mark.

There are several acts that completely invalidate the vault and result in a score of 0. These include receiving spotting (assistance) from a coach and not using the U-shaped safety mat for Yurchenko-style vaults.[6][7]

The old Code Edit

The old Code worked on the 10.0 scoring system.

Skills: Every acrobatic and dance element was awarded a specific difficulty rating, ranging from A (easiest) to Super E (hardest) in the Table of Elements. Gymnast earned bonus points by performing difficult skills alone or in combination.

Required elements: Routine composition was decided by the gymnast and his or her coaches, however, on every apparatus except vault there was a list of required elements (similar to the EGR in the new Code) that had to be performed during the routine. Examples of required elements included 360 degree turns on balance beam and a backwards salto (somersault) on floor exercise.

Base score: The base score was the default Start Value of the routine, provided the gymnast fulfilled all required elements. This changed over the years and tended to lower as the codes went on. For instance, for the 92-96 code a base score of 9.2 was awarded if all of the basic elements were fulfilled. For the 96-00 code, the base score was a 9.0. Finally, a base score of 8.8 was awarded for the 00-04 olympic years. Before the new code, the base score again dropped to an 8.6 but this was not adopted for a very long time.

Start Value: The Start Value (SV) of each routine was determined by adding the base score to the bonus points earned from performing difficult elements and combinations. Ideally, a gymnast wanted to have an SV as close to 10.0 as possible.

On vault, every vault was assigned a specific Start Value in the Code.

The score was determined by subtracting any deductions for poor form, execution, steps, falls or other infractions from the SV.

ReferencesEdit

  1. "FIG considers gymnastics rules changes" Associated Press, September 24 2004
  2. "Dasha's near miss" Herald-Sun, October 21 2006
  3. "Scoring changes in gymnastics studied" Nancy Armour, Associated Press, April 28 2005
  4. "Champions rally against Code International Gymnast, April 14 2005
  5. 2006 Report of the FIG's Athletes' Commission International Gymnastics Federation, 2006
  6. Code of Points International Gymnastics Federation, 2006-2008
  7. "Artistic gymnastics judging" NBC Olympics

External linksEdit

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